Watching Football in Venice: Skipping one performance in favor of another | ArtReview, December 2019

How AI Selfie App ImageNet Roulette Took the Internet by Storm | frieze, September 2019

How Cecelia Condit’s Video Art Became a Viral Curse for Teens on TikTok | frieze, July 2019

Against the Flow: Illegal Streaming and a Sense of Imperfection | essay in the exhibition catalogue for "Time, Forward!" at V-A-C Zattere, Venice, May 2019

Seeing the Unseeable: The First Image of a Black Hole | frieze, April 2019

Reality Check: A trip to VR World, a virtual reality museum | Cultured, February–March 2019

Fan letter: How the JPEG Changed Everything | frieze, February 2019

Glossary: Borders (n.) | Art Papers, January 2019

Various Records: Let's Call It Part 1 | catalogue essay for Anna Plesset , January 2019

After the BuzzFeed Layoffs, Goodbye to an Internet That Was | opinion, frieze, January 2019

How the Instagram Egg Broke the Internet and Became a Study in Exhaustion | opinion, frieze, January 2019


Oslo Roundup | art-agenda, September 2019

Condo New York | art-agenda, July 2019

Critic's Guide: New York | frieze, June 2019

Shahryar Nashat at Swiss Institute, New York | frieze, May 2019


Avery Singer | Art Basel, May 2019


Frieze Academy Art & Architecture Summit | Singapore, November 22, 2019

Frieze Academy Art & Architecture Summit | London, October 4, 2019

On illegal streaming and imperfect aesthetics | talk as part of the conference The Art of Football, TU Dublin, July 2019 (link)

Talk with Nathan Jurgenson on the occasion of the publication of The Social Photo (Verso, 2019) | Tank Magazine, London, May 2019

Editorial work

Managing editor, Waiting for Omar Gatlato | A reader published in conjunction with an exhibition of the same title dedicated to contemporary art from Algeria and its diaspora, curated and edited by Natasha Marie Llorens (New York: Columbia University and Sternberg Press, 2019)