The New Beautiful: Football in the Age of COVID-19 | ArtReview, June 2020

String Theory: Art Writing and Sport Writing | frieze, summer 2020

A Photo Like a Painting | OOF (issue 5), June 2020

Fake Solidarity from Corporate Social Media | frieze, June 2020

‘More Baby Goats’: Why We Love Animal Cams in Quarantine | frieze, May 2020

The Aesthetics of Zoom | frieze, April 2020

Spaces: The Online Exhibition | art-agenda, April 2020

Art Matters Now—Creative Capital commission: 12 Writers on 20 Years of Art: On 2006 and the Rise of YouTube | Los Angeles Review of Books, March 2020

Image=Information | catalogue essay for Clare Strand, Deutsche B?rse Photography Foundation Prize book (London: The Photographers Gallery, 2020)

Lucy Bronze | 8 by 8, issue 16, January 2020


"Masculinities" at the Barbican Centre, London | Camera Austria, Fall 2020

Sharif Waked’s "Balagan" at the Center for Contemporary Art, Tel Aviv | art-agenda, May 2020

Anna Wiener's Uncanny Valley (book review) | The White Review, February 2020

VALIE EXPORT at Thaddaeus Ropac, London | art-agenda, January 2020


From Afar. Football, migration, and a sense of belonging | Risk Change International Online Conference, "From a City to a City," August 2020 (online, link)

Talk with Maxime Matthys | The Photographers Gallery, London (online), June 2020 (vid/link)

Panel Discussion: Shifting Attention: Richard Parry in discussion with Brian Dillon, Orit Gat and Stefanie Hessler | Glasgow International (online), April 2020

Reading, The White Review No. 27 launch party | Goldsmiths CCA, London, March 2020

Choreographic Devices | ICA London, March 2020

Institutional Work and the Conditions of Collaboration | Art Hub Copenhagen, February 2020